Modeled after the “Eight Little Preludes and Fugues” attributed to J. S. Bach (but almost certainly not from Bach’s Oeuvre), James Woodman’s “Eight Little Harmonies and Counterpoints” are eight paired works of harmonic ideas and contrapuntal writing. Written without dynamic markings or registration suggestions, the composer invites the creativity of the performer that the openness of the score gives. Contents: Harmony and Counterpoint in C (Lydian) Harmony and Counterpoint in D (Dorian) Harmony and Counterpoint in E-flat (Major) Harmony and Counterpoint in E (Phrygian) Harmony and Counterpoint in F (Minor) Harmony and Counterpoint in G (Mixolydian) Harmony and Counterpoint in A (Major) Harmony and Counterpoint in B (Minor) Difficulty: Diffcult 40 pages, softbound 2014 Sharpley & Taylor Music