
Anton Heiller; Organist, Composer, Conductor by Peter Planyavsky
Anton Heiller is one of the twentieth century's most renowned and influential organists. Born in 1923, Heiller was trained in Vienna and rose to prominence quickly, giving his first solo recital at the age of twenty-two. Before concentrating on the organ exclusively, he was a successful conductor of the symphonic repertoire, and, from 1945 until his untimely death in 1979, he was professor of organ at the University of Music and Performing Arts in Vienna. His interpretations of Bach, which included registration and articulation, as well as a consideration of the theological underpinnings, would change the way Bach is played.
Anton Heiller: Organist, Composer, Conductor, provides an assessment of Heiller's works and teaching, while also examining his complex personality, one torn between strong religious devotion and the world of artistry. The narrative also offers a unique view of the organ world in the decades after World War II, featuring the important organs, builders, and organists across North America and Europe. First translation, by Christa Rumsey of this important text in English. University of Rochester (2014); 364 pgs.